TPS #052: Let’s Talk About the T.R.I.P.

Author: Andre Mullen - 4 min Read

March 8, 2025

Good morning. Today, I’m talking about the T.R.I.P. framework every artist should know before entertaining a record deal. I’m also talking about Biggie’s big deal, trying to stop the UMG-Downtown acquisition, and the end of Adidas and Yeezy.

The bad trip.

Everyone has been on at least one bad trip in their life.

We all have traveled somewhere where our experience was one we would forget if given the choice.

As an artist, you may feel the same way in some of your business dealings.

The tip of most artist’s careers is signing a record deal. While they aren’t for every artist, many artists look at record deals as having reached a level of success. And, if and when given the opportunity, would sign the dotted line for the right price.

These are the artists who end up regretting their “bad trip” – signing to a deal where they find themselves in a holding pattern with releasing music while being unrecouped in their deals.

Time for some clarity.

There isn’t a bad deal.

In my 30+ years in artist management and consulting, I’m always asked one particular question:

“What’s a bad deal?”

Honestly, there isn’t a bad deal.

What makes a “bad deal”? It is the lack of attention to the details of the deal being signed. Contractual dealings with record labels should never happen without proper legal representation.

Even in the simplest of partnerships, there should be clearly defined terms in written form.

Here are 4 points you should look for when evaluating a label deal:

1. Time

2. Responsibilities

3. Income

4. Property

Record labels come in all shapes and sizes nowadays. The consistent factor is both parties need to bring something of value to the table. You need to know why you want a record deal before you get into it. So, understanding the framework of a label deal could mean all the difference.

Here’s the framework, step by step.

Point #1: Time

On a road trip, time plays a factor in determining how much gas you will need, where you may stop for rest, and where you will eat.

Time impacts whether the trip is enjoyable, memorable, and fruitful.

Time is an important aspect of any agreement because its requirements are set forth and controlled by time.

Knowing how time affects your ability to meet expectations and obligations within the agreement is essential. For example, what is the time frame to deliver marketing materials and audio files? How long before the terms of the agreement are satisfied?

It is critical to know how much time you are committing to in the business relationship, so make sure your obligation is clearly defined and within your expectation.

Because just like a road trip, you want the time spent in the working relationship with a record label to be enjoyable, memorable, and fruitful.

Point #2: Responsibilities

In planning a road trip with friends, everyone has a responsibility: someone is responsible for snacks, drivers are chosen, and the official “aux cord holder” is determined.

These responsibilities give the road trip organization and a sense of purpose.

With record label deals, the responsibilities are outlined to give your relationship structure while keeping both of you accountable to one another.

This accountability provides organization for you and the label by way of you delivering the music to the label for them to oversee your music’s distribution, promotion, and royalty collection.

Depending on your leverage, you may be able increase the responsibilities of the label.

And just like a road trip, despite where you sit in the car, you are still have a responsibility to bring what you have to make the trip enjoyable, memorable and fruitful.

Point #3: Income

On a road trip, income – money – directly affects how much you can spend on food, gas, lodging, and unexpected expenses – to avoid financial stress.

Income is the most important part of the agreement with a label for obvious reasons: your art has value and you should be compensated.

In a recording agreement, your income mainly comes from royaltiesmaster recording, performance, and sync licensing. A percentage of the revenue – usually between 10% and 25% – goes to the artist with the remainder going to the label to recoup expenses.

Another part of income you may be entitled to is an advance. An advance is an upfront payment which is basically a loan that is recouped (read: deducted and paid back) from your future royalty earnings.

The record label cannot guarantee how much money you will make from your music royalties. They can only set the percentage.

Like a road trip, understanding the role of income within a recording agreement eliminates financial stress – and possibly being stuck on the side of the road.

Point #4: Property

Property – your belongings and the vehicle – are important on a road trip.

Your property needs to be protected from theft and damage while traveling. This gives you a sense of safety and peace of mind.

In the case of an agreement with a label, property refers to your intellectual property rights (IP rights) from the music you create. This includes the sound recordings, your lyrics, and even your name and likeness.

In an agreement, your IP can be owned by the record label to an extent, allowing them reproduce, distribute, and commercially exploit (read: make full use of) the elements of your IP. This is done for a specific period of time within certain conditions and limits.

Even though the label holds the right, it is important for you to remember the music is your property and you should retain certain rights to protect your interests, such as the ability to approve creative decisions.

And just like a road trip, protecting your property – your creative work – is important to enjoying and getting the most out of your working relationship with a label.

When an artist is offered a record deal, there is a mix of many emotions – most of which are centered around the artist feeling a strong sense of accomplishment along with being able to achieve even bigger dreams.

However, those dreams can only be realized by artists who are willing to take their time in evaluating what they are signing. Along with good legal representation, an artist should be able to have a working knowledge of, and understand, their deal framework.

Take a deep breath.

You got this.

Related: Signing a record deal is a dream come true for many artists. However, artists have to be careful when chasing their dreams. Brian Zisook, EVP and Global Ops for Audiomack shares the story of the rapper Morray and his label signing experience.

Just as your emotion comes out with every song, your attention to your creative process comes out with every release when the art is given first place.

Respecting your art is the way your fans are able to grow with you as you grow as an artist.

And no one can respect your art if you do not.

Related: One of the iconic music producers of all time, Rick Rubin, has often shared his views on respecting the art via his creative process. August Bradley shares how he has applied this to his own work.

THE LATEST “speaking of deals”
The estate of the late Christopher Wallace (pka Notorious B.I.G.) is selling his publishing and publicity rights.

“A Notoriously B.I.G. Deal”: Hollywood Reporter is reporting that the late Christopher Wallace (aka Notorious B.I.G.) estate is close to signing a deal with independent publisher Primary Wave for close to $150 million.

“Trying to Stop the Deal”: RouteNote is reporting that Europe’s independent music body IMPALA wants regulators to intervene and stop Universal Music Group’s acquisition of Downtown Music, stating the deal could harm independent artists and labels by reducing competition.

“The End of a Deal”: Digital Music News is reporting that Adidas has finally sold through all remaining Yeezy inventory, officially ending what they call their nightmarish partnership with Ye (fka Kanye West).

WHAT ARE THEY SAYING – thoughts on deals

“Every major label has priority acts and non-priority acts. If you sign a deal, you need to everything in your power to make sure you’re not only designated a priority – immediately after signing – but that you remain a priority. Otherwise…good luck.” – @BrianZisook

“Record labels do not sign recording artists who have not proven their worth. Remember this statement before you waste your time chasing a record label instead of working on increasing your value and worth.” – [@TayeOlusola](“Record labels do not sign recording artists who have not proven their worth. Remember this statement before you waste your time chasing a record label instead of working on increasing your value and worth.” – TayeOlusola)

“Getting a record deal is like getting drafted, you’ve made the league but it doesn’t guarantee you won’t spend your career on the bench. You have to prove yourself just the same, hard work, and training.” – @Kayvanmd

 

✋🏾When you’re ready, there are 2 ways I can help you:

1. Schedule a 1:1 Growth Strategy Call with me on growth, strategy, content, and monetization.

2. Promote your business to 700+ artists, artist managers, and founders by sponsoring this newsletter.

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